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Cowboy Movie Life In Men'S Clothing In Autumn And Winter

2011/5/28 14:11:00 80




From hero of Hollywood to master of silent film, from homosexual love to pure love, on the T stage of 2011 autumn winter men's wear, designers used cowboy's unique personality and unique costumes to give audiences an annual T blockbuster.

The two brothers of Dean and Dan are indeed the American naughty children who were deeply influenced by Hollywood. In the 2011 men's clothing series in autumn and winter, they dug up the heroic image from childhood to make a Hollywood hero's Transformation: Zorro's broadside hat, Robin's glasses and Holmes's windbreaker shirt vest, "D hero" fashion and domineering. And the key to "hero fit" is, of course, DSquared2's best cowboy. In the way of whitening and cutting, the old cowboy shows the vicissitudes of the heroes. The changeable cowboy texture depicts the sensitive reactions of the heroes. In terms of collocation, Zorro's hat, Holmes's windbreaker, or the checked shirt casually tied to his waist will further reveal the heroic and unrestrained character. It seems that if we want to "fit" the heroes on screen, we will not be able to be less resourceful.
 



 

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It is also an outstanding work done by two people. The 2011 autumn winter men's clothing of Dolce &Gabbana has Chaplin's humor: small dome cap, narrow pants and flat leather shoes. It has great potential to move the silent movie classic modern times to T. Unlike the monotony of the black and white movie era, the Dolce &Gabbana used special techniques to print and dye the cowboy playing with humorous humor: the black and white striped overalls in modern times turned into the red and black low waist jeans and the grind jeans cowboy trunks of the Zao red keynote. Even Chaplin's trademark short jacket has been improved to become a jujube red leather jacket. If Chaplin is alive again, will he wear Dolce &Gabbana's fancy comedy dress to make a comeback?
 



 

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Vivienne Westwood always makes people wonder: it is flowing with the feminine sensitivity and graceful, but the design style is full of punk taste. This can be seen in the 2011 men's clothing series in autumn and winter: The Empress Dowager has been scalding curly hair for her male models, permeated with melancholy and gorgeous makeup, trying to show the beauty that concealed on the male body in front of the public. Maybe this is what the Empress Dowager sees in the eyes of spring. It's unclear whether this kind of homosexual love is punk or gentle.
 



 

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As a native designer in Japan, Watanabe Junya is full of the shadow of Japanese youth love movies. And this season's men's wear also shows his complex of Japanese dramas. The overall tone is gentle and elegant, full of College flavor. The standard cut school clipping, the classic collocation of suits, shirts and jeans all seem to depict a young boy in Japan. The dots and stripes and jeans on the small suit also add a touch of romance to the young man and the independence of the young people. I really want to ask: Watanabe, are you designing the costumes for Watanabe, the protagonist of the Norway forest?
 



 

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